"Composing Interactive Multimedia" se impartirá en las instalaciones del CMMAS durante 5 semanas, del 28 de junio al 30 de julio. Los estudiantes tendrán la oportunidad de aprender conceptos y técnicas de interactividad, producción multimedia y composición con sistemas interactivos.

Este curso será dictado en inglés, por lo cual se espera que los participantes tengan un nivel medio-avanzado. Se ofrecerá una beca especial para particpantes con nacionalidad mexicana.

info@composinginteractivemultimedia.org

Ver convocatoria completa:
http://composinginteractivemultimedia.org/

Course Description:

Monday through Thursday a morning session and afternoon session taught by one or all of the instructors with Friday’s open for private meetings. For the 30-day participants, the 16 sessions will be followed with two weeks of primate lessons rotating between the instructors with a concert presentation of a work created in residence. For the 15-day participant, th
e sequence ends with a presentation of a short work created in residency.

Schedule

Week 1

June 28:
10 am ::  Everything, Everywhere, Now: Principles of multimedia composition and models of interactivity (Ueno, Patton, Montoya)

2:30 pm :: The Perfect Sound: Non Real Time Audio Editing with Pro Tools  (Patton)

June 29:
10 am ::  Aspectual Hearing: Music as A Manifold Experience (Ueno)

2:30 pm :: Making a Camera See or How to Build a Frame with light: Introduction to digital video recording and Final Cut Pro 101 (Montoya)

June 30:
10 am ::  Sounding the Eye: Video editing for Aural Concepts    (Montoya)
2:30 pm :: How to make anything happen: Introduction to Max/MSP (Patton)

July 1:
10 am ::  Structural Listening to Noise (Ueno)
2:30 pm ::  The Magic of the ReadyMade: some Max/MSP Standalones  (Patton)


Week 2

July 5:
10 am ::  Cartography for Composers: Mapping Interactive Systems (Ueno, Patton, Montoya)
2:30 pm ::  An Eye for Interactivity: Jitter Essentials  (Montoya)

July  6:
10 am ::  There is More Than One Way to Skin a Cat: Jitter 201 (Montoya)
2:30 pm ::  Faster Pussycat: Some Jitter Standalones (Patton)

July 7:
10 am ::  Audiovision: Integrating the ReadyMade systems (Ueno, Montoya, Patton)
2:30 pm :: Frequency-based Harmonic Thinking (Ueno)

July 8:
10 am ::  All Day Open Studio:Projects and Trouble Shooting


Week 3

July 12:
10 am ::  Concert of Work to Date and Critique: Presentation of Short Works and Works in Progress

July 13-15 Field Trip to Mexico D.F.

For the remainder of the program, the 30-day participants will meet privately with each of the faculty in rotation (and by request).


July 16:
10 am :: Everything, Everywhere, Now: Principles of multimedia composition and models of interactivity (Ueno, Patton, Montoya)

2:30 pm :: The Perfect Sound: Non Real Time Audio with Pro Tools  (Patton)

Week 4

July 19:
10 am ::  Aspectual Hearing: Music as A Manifold Experience (Ueno)
(Ueno)
2:30 pm :: Making a Camera See or How to Build a Frame with light: Introduction to digital video recording and Final Cut Pro 101 (Montoya)

July 20:
10 am ::   Sounding the Eye: Video editing for Aural Concepts    (Montoya)
2:30 pm ::How to make anything happen: Introduction to Max/MSP (Patton)

July 21:
10 am :: Theater in Music (Ueno)
2:30 pm :: The Magic of the ReadyMade: Max/MSP stand alones  (Patton)


July 22:
10 am ::  Cartography for Composers: Mapping Interactive Systems (Ueno, Patton, Montoya)
2:30 pm ::An Eye for Interactivity: Jitter Essentials  (Montoya)


Week 5

July  26:
10 am ::   There is More Than One Way to Skin a Cat: Jitter 201 (Montoya)
2:30 pm ::  Faster Pussycat: Special Effects with Jitter (Patton)

July 27:
10 am ::  AudioVision: Integrating the ReadyMade systems (Ueno, Montoya, Patton)
2:30 pm :: Topics: 21st century frequency-based harmonic approaches in the
orchestral work of Professor Ueno.

July 28:
10 am :: All Day Open Studio: Projects and Trouble Shooting

July 29:
10 am ::  Presentation of Short Works

July 30:
8 pm ::  Concert of long works