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1 de enero del 2019

 

CONVOCATORIAS ORGANIZADAS CRONOLÓGICAMENTE POR FECHA DE CIERRE

 

 

 


 

 

Masters  de post grado oficiales que en Musikene
  • Máster de Interpretación: es el primero oficial de Interpretación de dos años en España y cuenta con 120 ECTS. Abierto a todos los instrumentos y voz en su vertiente solista y de música de cámara. 
 
  • Máster de Jazz, de un año y 60 ECTS, está pensado para el perfeccionamiento del intérprete actual de Jazz. 
  • La excelencia marca el nuevo Máster de creación de la música contemporánea, de dos años y 120 ECTS y pionero en España. 
  • Absolutamente novedoso es el Máster de mediación, gestión y difusión, que preparará a los músicos para los empleos del futuro. 
  • El Máster de estudios orquestales para instrumentistas de cuerda cumple su quinto año con éxito. 

 

 

 


 

 

 

***Call for Works: 2020 New Music Miami ISCM Festival***

The Miami Section of the International Society for Contemporary Music (ISCM) at Florida International University (FIU) is pleased to announce a call for scores for possible performance at the New Music Miami ISCM Festival being held in the Spring of 2020 featuring the NODUS Ensemble among other soloists and guests. The call is open to all composers without restrictions.

 Works that employ the following instrumentations will be considered:

~ NODUS Ensemble – up to 5 performers in any combination one on a part: flute (picc/alto), clarinet (Bb/bass), piano, percussion, violin, viola, cello, contrabass, classical guitar, soprano voice, may incorporate electronics and/or video – please note NO string quartets)

 

~ Electro-Acoustic Works (including with the NODUS Ensemble)

~ Fixed Media Works and/or Live-Electronics with or without Video

~ Installations

~Works for the Pakk-Calloway violin cello duo

~Works for the Misty Shore Duo (piano and electronics duo)

 Due to programming considerations works over 15 minutes will not be considered.

Selected pieces will be announced through the conference web site.

 

Application Procedure

 ***Submission Deadline is November 11 (11:59 p.m. EST)***

Application Fee: $22.00 for the submission of one work, and a total of $32.50 for the submission of two works.

 he application procedure consists of the following steps:

 

1. Submitting online payment through ticket solutions.
Select 2020 NMM ISCM Festival Submission.  After completing payment, you will be provided an "order number".  This is necessary for the next step.  (Please note: because the submissions payment is being handled through an online ticketing system, it may be necessary to "load more events" on the web page.)

 

2. Filling out the informational form.
All materials must be submitted electronically and made available for download by supplying links to download files and/or stream audio files. Please make sure all links stay active through December 15. Please enter the "Payment ID#" obtained through the above process at the bottom of the form.  This will provide proof of payment.

 

 

For answers to any questions, please email info@newmusicmiami.org

 

 

 

 


 

 

BECAS ARTE EN EL ORIGEN

https://www.circleproart.com/becas

 

Beca Grupo Nueva Dársena 

para Arte en el Origen. Mayo 2020

Una beca del 100% de la Cuota de Participación

Convocatoria abierta 1 de agosto al 15 de noviembre de 2019
Ayudas SM Pro Art
para Arte en el Origen . Año 2020
Ayudas de hasta el 40% de la Cuota de Participación
Convocatoria Abierta 1 de agosto de 2019 al 1 de julio de 2020
PREGUNTAS FRECUENTES
1) Puedo presentarme a las Becas y Ayudas simultáneamente con el mismo proyecto?
Sí. Si ganas la beca, se desestima la ayuda. 
2) Tengo que registrarme por separado a cada una?
Sí. Los procesos de selección son diferentes y en diferente tiempo. Tienes que rellenar tu solicitud para la Beca y también tu solicitud para las Ayudas.
3) Que es “Arte en el Origen”?
https://www.circleproart.com/arte_en_el_origen
4) Soy músico/a, videasta, bailarín/a, escritor/a, etc….Puedo participar? Como envío mis trabajos?
Sí. Arte en el Origen está abierto a todas las disciplinas de las artes.
Envía 3 fotos representativas e incluye hasta 3 links de tus trabajos en el CV.
5) Dónde pago la “Reserva de Plaza”?
Puedes pagarlo en nuestra tienda online o siguiendo este enlace https://smproartshop.com/epages/7151b0bf-3e19-40a7-9830-d08756cc0100.sf/es_ES/?ObjectPath=/Shops/7151b0bf-3e19-40a7-9830-d08756cc0100/Products/%22AO%20-%2000%22
6) Si gano la Beca Grupo Nueva Dársena tengo que pagar la “Reserva de Plaza”?
No, La Beca Grupo Nueva Dársena tiene cubierta, en su totalidad, la cuota de participación para el seminario Arte en el Origen.
Sólo las Becas OdA y las Ayudas SM Pro Art tienen que pagar la “Reserva de Plaza”.
7) Si tengo alguna consulta, puedo contactar directamente con vosotros?
Sí. Puedes enviarnos tu consulta a través de la página de contacto y te responderemos a la brevedad!

 

 

 

 

 


 

 

Atención! Apertura de convocatorias exclusiva para Brasil

*Abierta para residencias en CMMAS

 

Ibermúsicas y Funarte

Fecha de cierre: 22 de noviembre

 

Con gran alegría anunciamos la apertura exclusica de inscripciones a convocatorias destinadas a artistas musicales y festivales de música de Brasil.

Debido a cuestiones administrativas no fue posible habilitar las inscripciones de artistas y festivales brasileños dentro del período originalmente previsto.

A efectos de dar solución a esta problemática y poder incluir a toda la comunidad musical brasileña dentro de las acciones de Ibermúsicas, se habilitará en forma exepcional un período de inscripción desde el día 18 de octubre al 22 de noviembre en todas nuestras líneas de acción.

La inscripción al Premio Ibermúsicas para la Creación de Canciones, 6ta edición, estará habilitada desde el día 18 de octubre hasta el día 1ero de noviembre.

Durante unos pocos días las bases de los concursos estarán en español y a la brevedad serán cambiadas por las bases en portugués.

Invitamos a todo el sector musical de Brasil a participar nuevamente y continuar así con los procesos de cooperación entre Brasil y el resto de Iberoamerica tal como ha sido desde el inicio de nuestro Programa.

Se abren las siguientes convocatorias:

- Ayudas a la movilidad de músicas y músicos
- Ayudas a festivales y encuentros para la movilidad de músicas y músicos
- Ayudas a compositores para residencias artísticas
- Ayudas instituciones para residencias artísticas de compositores
- Ayudas a procesos de formación para talleristas
- Ayudas a procesos de formación para instituciones y organismos
- Premio Ibermúsicas a la creación de canciones "6ta edición"

 

 

Más información en: http://www.ibermusicas.org/es/noticias/846

 

 

 

 


 

 

IDEA International Divertimento Ensemble Academy and its artistic director, Sandro Gorli, in cooperation with Fattoria Vittadini dance company are pleased to announce the sixth edition of the competition ‘Franco Donatoni’ International Meeting for Young Composers.

Composers of any nationality, born after 1st January 1984, are eligible to participate in the selection by submitting one (or more) composition(s) for an instrumental ensemble of 5 to 12 performers (no voices) within 29th November 2019.

An international jury will select by 18th December 2019 three compositions that will be performed by Divertimento Ensemble in Milan in March 2020 within the Rondò concert season.

The three selected composers will then be asked to write a new composition for ensemble and 1- 5 dancers (to be agreed upon) whose duration must be between 15 and 20 minutes; the three new compositions will be performed during the 2021 Rondò concert season, on the occasion of the sixth edition of the ‘Franco Donatoni’ International Meeting for Young Composers.

The selected composers (who will have delivered score and parts within the deadline foreseen by the rules) will be asked to stay in Milan for three periods of rehearsals and will work in close contact with the musicians of the ensemble, the choreographer and the dancers of Fattoria Vittadini.

Each composer will be entitled to a lump-sum reimbursement of Euro 2,000 gross, for travel, board, lodging and any other expenses incurred (see point 8 and 9 of the rules).

 

http://idea.divertimentoensemble.it/franco-donatoni-international-meeting-for-young-composers-in-cooperation-with-the-dance-company-fattoria-vittadini/?lang=en

 

 

 

 

 


 

Convocatoria para el Encuentro Interdisicplinario sobre Ciencias, sonido y música, organizada con apoyo  del IIMAS, el Seminario de Ciencias y Música de la FaM, el Centro de Ciencias de la Complejidad y el programa Arte, Ciencia y Tecnologías (Fonca-UNAM) a realizarse en febrero de 2020.
Los formatos para participar durante el encuentro son: presentación de ponencia, taller e instalación o pieza.
La convocatoria está abierta a presentar investigaciones que aborden o crucen las siguientes áreas, preferentemente (aunque no exclusivamente) vinculados a la creación sonora:
* Fenómenos acústicos en sistemas biológicos
* Neurociencias y música
* Inteligencia artificial y arte generativo
* Código aplicado a la musicología y/o la investigación social
* Antropología sonora y estudios sociales


Fecha límite es el 16 de diciembre.

 


CALL FOR WORKS

 

https://nycemf.org/

Announcing the New York City Electroacoustic Music Festival

June 14-21, 2020

Last updated: October 3, 2019

The New York City Electroacoustic Music Festival (NYCEMF) solicits works for its festival in June 2020. The event will take place in the heart of New York City at New York University and the Sheen Center for Thought and Culture, from Sunday June 14 through Sunday June 21, 2020. Details of the festival are shown below.

I. Music and Video

Composers or performers are invited to submit works in any style of electroacoustic music in any the following categories:

  • Electroacoustic music for fixed media alone, with up to 16 channels of sound.
  • Works involving live electronics, including computer processing and laptop orchestras, or live coding, with up to 8 channels.
  • Works combining musical instruments or voices with live or fixed media electronics, up to 8 channels.
  • Video and multimedia works.
  • Installations involving music or video

Submission deadline: December 31, 2019.

Entry fee: None.

  1. Individuals may submit one or two concert works. Individuals may also submit proposals in other tracks (installations, papers, etc.). Works of any length may be submitted, but to be as inclusive as possible, we are more likely to select shorter works, If submitting two works, at least one work should be under 6 minutes.
  2. Works in progress are acceptable if a substantial portion of the work is complete. If accepted, the final duration of the work cannot exceed the duration specified at the time of submission.
  3. Please upload high quality MP3 stereo mixes for your audio, including multichannel works. For videos, we prefer lower resolution files.
  4. Composers may submit works for any instrumentation, but if the submitter is unable to provide the performer(s), additional costs will need to be paid for each performer provided by NYCEMF. Only works with no more than four performers can be considered, unless the submitter is able to provide the entire ensemble.
  5. Performers (artists that are not the composer of the work) may also submit up to two works with the agreement that they will play them if selected.
  6. Works that have been performed at a previous NYCEMF festival are not eligible for submission unless it has been substantially revised.
  7. Works must be submitted online through our Conference Management Toolkit (CMT).
  8. All submissions should be anonymous. Please make sure that no artist markings are recognizable.
  9. NYCEMF will provide in each performance space a mixing console, speaker system, microphones, cables, and a computer and audio interface for the playback of fixed media audio/video. Composers of interactive works will be responsible for providing their own computer, audio interface, and any specialized peripherals.

Performers

The performers for NYCEMF 2020 will be listed here soon.

16-channel Spatialization Lab

A special venue will be equipped with an array of 16 speakers, 8 in the usual surround sound configuration and 8 at a higher level, allowing sound to be spatialized in three dimensions. We solicit works that will take advantage of these resources, and we encourage works that use the full 16-channel capability as well as the diffusion of works with fewer channels. We will allow composers whose works are played in this space additional tech time to plan their diffusion. Only fixed media works or video will be played in this space, not works involving musical instruments.

II. Papers

We encourage the submission of papers on research topics including but not limited to the following areas:

  • 3D Audio
  • Acoustic Ecology
  • Acoustics of Music
  • Acoustics, Space, and Sound Distribution
  • Aesthetics, Theory, History and Philosophy
  • Algorithmic Composition
  • Analysis of Electroacoustic Music
  • AR & VR
  • Archiving & Preservation of Electro-acoustic Music
  • Artificial Intelligence and Music
  • Computational Musicology
  • Composition Systems and Techniques
  • Digital Audio Signal Processing and Audio Effects
  • Distributed, Telematic, and Mobile Music
  • History of Electroacoustic Music
  • Improvisation and Technology
  • Languages for Computer Music
  • Live Coding
  • Mathematical Music Theory
  • Music Education
  • Music Information Retrieval
  • New Interfaces for Musical Expression
  • Notation and Scores
  • Perception and Cognition
  • Piece plus Paper Presentations
  • Software and Hardware Systems
  • Sonification
  • Sound Synthesis
  • Studio Reports
  1. The call is open to all researchers regardless of nationality, age or career stage or area of expertise.
  2. Formats include long papers (4-6 pages), short papers (4 pages), and posters (4 pages) with optional demos.
  3. All research must be submitted online as a PDF file through the Conference Management Toolkit (CMT).
  4. All submissions should be anonymous: please make sure that no author names are recognizable.
  5. The reviews are anonymous: once accepted, camera-ready papers will need to include author names.
  6. For conference presentation and publication proceedings, at least one author or co-author must register. A presenter only needs to register once and may be presenting more than one work at the festival.

Submission deadline: December 31, 2019.

Submission fee: None.

III. Installations

We invite submissions of installation works for exhibition at the conference. Categories include but are not limited to:

  • Audience Participation Installations
  • Data-driven Installations
  • Happenings
  • Interactive Installations
  • Multimedia Installations
  • Performance-based installations
  1. The call is open to all artists/composers regardless of nationality, age or career stage.
  2. Works presented at previous NYCEMFs are not allowed unless significantly evolved.
  3. Works must be submitted online, through the Conference Management Toolkit (CMT).
  4. All submissions should be anonymous: please make sure that no artist markings are recognizable.
  5. For presentation, the artist or at least one of the collaborators must register. A presenter only needs to register once and may be presenting more than one work at the conference. All necessary equipment, with the exception of loudspeakers and projectors, must be provided by the artist.

Submission deadline: December 31, 2019.

Submission fee: None.

IV. Workshops

We invite submissions of workshop proposals at the conference. Categories include but are not limited to:

  • Auditory Display and Sonification
  • Computer Music Composition
  • Computer Language-Based: ChucK, CSound, Live, MAX, Supercollider, etc.
  • Improvisation and Technology
  • Laptop Orchestra/Live Coding
  • Music Information Retrieval
  • New Instruments for Musical Expression
  • Preservation and Access to Electro-Acoustic Music
  • Robotics and Music
  • Soundmapping
  • Sound Reinforcement
  • Sound Synthesis
  • WebAudio
  • Other
  1. The call is open to all regardless of nationality, age or career stage.
  2. Formats include full day, half day, and quarter day.
  3. Proposals must be submitted online, through the Conference Management Toolkit (CMT).

Submission deadline: December 31, 2019.

Submission fee: None.

V. Curated Concerts

Proposals are also invited for the presentation of an entire half of a concert, not to exceed 50 minutes in duration of music. These concerts represent an opportunity for an individual, organization or institution to put together an entire concert consisting of works of their choice. The concert should be organized around a theme or idea, and they may include works of historical importance as well as more recent works. A performer may also propose a concert that he or she will play.

NOTE: The registration fee for curated concerts will be three to four times higher than individual registration.

Submission deadline: December 31, 2019.

Submission fee: None.

VI. Review and Post-Review of Submissions

All submissions will be subject to peer-review.

For accepted works, the final audio and video files or paper presentations must be uploaded by May 1, 2020.

 

 

 

 

 

 


 

Solo para Franceses / Only for French nationals

 

Información / Information:

http://www.institutfrancais.com/en/artists-residence


http://www.institutfrancais.com/fr/residences/residences-hors-les-murs

 

 


 

 

Becas y cursos de cooperación académica - Oferta para mexicanos

 

http://www.gob.mx/amexcid/acciones-y-programas/oferta-para-mexicanos

 

 

 


 


VARIAS CONVOCATORIAS NACIONALES E INTERNACIONALES
sin fecha de cierre

 

SE SOLICITA COMPOSITOR PARA CINE

La Sociedad Nacional de las Artes y Ciencias Cinematográficas, SC, está buscando compositores con experiencia en soundtrack para cine. De preferencia que vivan en Morelia o que puedan acudir a juntas. Tenemos varios trabajos remunerados. Informes en centrodecine@gmail.com

 

Becas para viajar por Europa dirigidas a artistas y trabajadores culturales

Información / Information: http://trabajarporelmundo.org/becas-para-viajar-por-europa-dirigidas-a-artistas-y-trabajadores-culturales/

 

 

CALL FOR CONTRIBUTIONS | PERSONAL SOUNDSCAPES | MUSIKPROTOKOLL & KUNSTRADIO

Fecha de cierre / Deadline: sin fecha de cierre / no deadline

Información / Information: http://personal-soundscapes.mur.at/en

http://musikprotokoll.orf.at/

http://www.kunstradio.at/

 

En busca de sonidos con “Eco”.

    El artista Michael Fahres (Alemania) (www.michael-fahres.com/) esta en busca de una serie de sonidos específicos para un proyecto futuro vinculado con el CMMAS. Los invitamos a contactarlo y colaborar en esta interesante idea. La descripción esta en inglés puesto que la comunicación con el deberá ser en alemán o inglés. Cualquier duda dirigirse directamente con el artista:

    Searching good sound recording (minimal 44.1 Khz 16 bits)

    I am looking for recordings made of the chirping echo which are produced by clapping hands in front of a Maya temple; for example the Temple of Kukulcan in the ancient Chichen Itza. This echo sounds like the voice of the sacred quetzal bird.  email: mfahres@freeler.nl  for any further information (preferably in English)

 

 

International call for scores:

http://www.composerssite.com/content/florence-string-quartet-call-scores

 



BERGAMO, ITALIA ... for children's choir:

http://www.giannibergamoaward.ch/

 

 

BROOKLYN, NY:

http://whatisproject.org/home/Composition_Competition.html

 

 

OPORTUNIDAD PARA COMPOSITOR EN USA.

Se solicita compositor de música clásica mexicana para una opera basada en un libreto ya escrito y registrado con ASCAP.
Perfil: Experiencia en la música norteña con conocimiento y gusto por el sonido del mariachi

Fecha de cierre / Deadline: indefinida

Información / Information: Favor de contactar al Maestro Agustín al correo tinogroup@gmail.com y anexar con carta, sitio de web, y archivo de música grabada, y datos de contacto.

 

 

RESIDENCIAS ARTÍSITICAS Y POR INTERCAMBIO (R. A. T.)

 

Fecha de cierre / Deadline: sin fecha de cierre / no deadline

Información / Information: http://www.r-a-t.com.mx/interior.html

 

 

ARTErra RESIDENCIAS

Fecha de cierre / Deadline: sin fecha de cierre / no deadline

Información / Information: http://arterra.weebly.com/ and http://arterra-residencias.blogspot.com/

 

 

LEONARDO / ISAST PROGRAMS

Fecha de cierre / Deadline: sin fecha de cierre / no deadline

Información / Information: http://www.leonardo.info/isast/leoplan.html

 

 

 


 

 

 


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